About the artwork
Swan is a contemporary re-interpretation of the bird goddess as nourishing vessel from the Aegean Sea region during the Bronze Age (3,300 B.C. - 1,200 B.C.). On the Cycladic island of Thera (modern day Santorini), nippled ewers with spouts as heads and beaks were common in the matriarchal Minoan culture. Though the ancient black-and-white functional pitchers were often slender or stout and roughly hewn (in the gallery here, see original works as excavated from "Minoan Pompeii" Thera town of Akrotiri destroyed by a volcanic eruption circa 1,600 B.C.), my sleek glazed ceramic sculpture enacts the elegant lines of a swan: graceful, elongated neck, head and beak atop a diamond-shaped body with etchings of feathers. The mesmerizing enlarged stylized eyes evoke the mysterious all-knowing sensibility of feminine intuition. Swan is part of my Eternal Goddess series of timeless icons expressed in enduring artistic symbols. Prehistoric fetish figures. Warriors. Queens. Mothers. Modern feminists. They celebrate feminine power: fertility, nourishment, love, renewal, vulnerability, strength, beauty, sensuality, regality, dignity, intelligence, wisdom, and communion with nature and each other. Through a host of media and in styles ranging from representational to abstract to Pop Art, the works come alive via designs born in primeval times but embraced today: chevrons, swirls, zig zags, breast, nets, snakes, eggs, moons, arrowheads, vulvas, spirals, etc. The "goddess hieroglyphics," if you will, as coined by archeologist and prehistorian Marija Gimbutas. Simple. Classic. Ancient. But also Modern. As such, Swan and the Goddess Eternal series are part of umbrella motif of my works featured here, Ancient is Modern, Modern is Ancient, which translates abstract art techniques of color, geometry, texture, shape, line, form, and pattern of bygone eras into contemporary aesthetic and sensibility. (My Cave Art and Southwestern Landscape series fall under this umbrella theme as well.) Swan's striking geometric shapes of half-moon eyes, cone-shaped breasts, and diamond-shaped body honor the ancient artistic goddess language.Medium Details
Ceramic: Clay, Slip, Underglaze, Wash, and Glaze
Signature
Cone-shaped breasts, half-moon-shaped clay applique eyes, diamond-shaped body etched to affect feathers
Condition
Swan
Like this piece of artwork
To express appreciation for a piece of artwork kindly share your email address to enable one like per viewer. This feature allows for showcasing popular preferences among viewers. We will also send you updates on this piece.
Ceramic
Figurative
17 H x 8 W x 9 D in
Sleek contemporary “bird goddess” inspired from excavated Minoan ewers of ancient Santorini sight
Seller: Jacqueline Savaiano Art
PRICE
$2,800
SHIPPING
Shipping arrangements are handled between buyers and sellers.
SECURE PAYMENT
Secure transactions by credit card, or ACH payment.
Have a question? Visit our help center.
About the artwork
Swan is a contemporary re-interpretation of the bird goddess as nourishing vessel from the Aegean Sea region during the Bronze Age (3,300 B.C. - 1,200 B.C.). On the Cycladic island of Thera (modern day Santorini), nippled ewers with spouts as heads and beaks were common in the matriarchal Minoan culture. Though the ancient black-and-white functional pitchers were often slender or stout and roughly hewn (in the gallery here, see original works as excavated from "Minoan Pompeii" Thera town of Akrotiri destroyed by a volcanic eruption circa 1,600 B.C.), my sleek glazed ceramic sculpture enacts the elegant lines of a swan: graceful, elongated neck, head and beak atop a diamond-shaped body with etchings of feathers. The mesmerizing enlarged stylized eyes evoke the mysterious all-knowing sensibility of feminine intuition. Swan is part of my Eternal Goddess series of timeless icons expressed in enduring artistic symbols. Prehistoric fetish figures. Warriors. Queens. Mothers. Modern feminists. They celebrate feminine power: fertility, nourishment, love, renewal, vulnerability, strength, beauty, sensuality, regality, dignity, intelligence, wisdom, and communion with nature and each other. Through a host of media and in styles ranging from representational to abstract to Pop Art, the works come alive via designs born in primeval times but embraced today: chevrons, swirls, zig zags, breast, nets, snakes, eggs, moons, arrowheads, vulvas, spirals, etc. The "goddess hieroglyphics," if you will, as coined by archeologist and prehistorian Marija Gimbutas. Simple. Classic. Ancient. But also Modern. As such, Swan and the Goddess Eternal series are part of umbrella motif of my works featured here, Ancient is Modern, Modern is Ancient, which translates abstract art techniques of color, geometry, texture, shape, line, form, and pattern of bygone eras into contemporary aesthetic and sensibility. (My Cave Art and Southwestern Landscape series fall under this umbrella theme as well.) Swan's striking geometric shapes of half-moon eyes, cone-shaped breasts, and diamond-shaped body honor the ancient artistic goddess language.Medium Details
Ceramic: Clay, Slip, Underglaze, Wash, and Glaze
Signature
Cone-shaped breasts, half-moon-shaped clay applique eyes, diamond-shaped body etched to affect feathers
Condition
About the artist
Jacqueline Savaiano - United States
Jacqueline Savaiano is a San Diego-based artist who creates oil and acrylic paintings, sculptures, ceramics, and mixed media works since 2008. Ancient is Modern, Modern...
See Artist's Page







