About the artwork
This meticulous copy of the original French masterpiece hanging in the Louvre Museum in Paris was done as part of an American group of classically-trained artists led by my husband, acclaimed classical portrait artist, Frank Covino. ( The entire trip was profiled in The Artist's Magazine.) We challenged ourselves to perfectly copy two Old Masters. I selected Pierre Subleyras and Anthony Van Dyck. The complex process of duplicating Old Master methods requires patience and technical exactitude, as there are many stages, unlike the more familiar modern method of alla prima painting.
The first step was the preparation of a traditional linen-wrapped wood panel, including marble dust in the gesso to ensure "tooth",( ie adhesion of the paint layers) . Next came the detailed charcoal value sketch, and finally the oil verdaccio ( "grey-green") underpainting. This preparatory work took several months to complete.
At that point and at long last, our group was given permission by the French authorities to complete our lovely oil color overpaintings on the actual floor of the Louvre, under the watchful eye of machine-gun armed guards! ( Very daunting..I was terrified of spilling a drop of paint on the floor! )
We spent two weeks in Paris, and it was absolutely the most exhilarating and exhausting process, but ultimately the most gratifying experience imaginable. Only upon successful completion did my painting receive the official quality seal of approval on the reverse side by the Louvre Museum Director of Copyistes.
All materials used are of the highest archival museum quality...from the traditional Renaissance formulas used for the gesso, to the oil painting medium. All was done on a sturdy Belgian-linen wrapped wood support, ensuring the longevity of the artwork. The results are worth the effort. It is an investment in quality. The artwork will delight the eye for centuries!
Medium Details
Oil on Panel
Frame
Gold Wooden frame , 4 inches wide, with delicate corner design molding
Signature
Ellis after Subleyras
Condition
Provenance
This painting has remained in my possession since it was completed.
Charon Crossing the Shades ( after Pierre Subleyras,Louvre Museum)
![Loading](https://www.artisor.com/wp-content/themes/artisor/img/loader.gif)
Like this piece of artwork
To express appreciation for a piece of artwork kindly share your email address to enable one like per viewer. This feature allows for showcasing popular preferences among viewers.
Oil
Fine Art
40 H x 25 W in
This is an oil copy of a work by the French Academician Pierre Subleyras. It depicts Charon , the ferryman of Hades, (the Greek underworld) as he rows the souls of the damned across the river Styx to Hades ( Hell ).
Seller: Barbara Ellis
PRICE
$17,500
SHIPPING
Shipping arrangements are handled between buyers and sellers.
SECURE PAYMENT
Secure transactions by credit card, or ACH payment.
Have a question? Visit our help center.
About the artwork
This meticulous copy of the original French masterpiece hanging in the Louvre Museum in Paris was done as part of an American group of classically-trained artists led by my husband, acclaimed classical portrait artist, Frank Covino. ( The entire trip was profiled in The Artist's Magazine.) We challenged ourselves to perfectly copy two Old Masters. I selected Pierre Subleyras and Anthony Van Dyck. The complex process of duplicating Old Master methods requires patience and technical exactitude, as there are many stages, unlike the more familiar modern method of alla prima painting.
The first step was the preparation of a traditional linen-wrapped wood panel, including marble dust in the gesso to ensure "tooth",( ie adhesion of the paint layers) . Next came the detailed charcoal value sketch, and finally the oil verdaccio ( "grey-green") underpainting. This preparatory work took several months to complete.
At that point and at long last, our group was given permission by the French authorities to complete our lovely oil color overpaintings on the actual floor of the Louvre, under the watchful eye of machine-gun armed guards! ( Very daunting..I was terrified of spilling a drop of paint on the floor! )
We spent two weeks in Paris, and it was absolutely the most exhilarating and exhausting process, but ultimately the most gratifying experience imaginable. Only upon successful completion did my painting receive the official quality seal of approval on the reverse side by the Louvre Museum Director of Copyistes.
All materials used are of the highest archival museum quality...from the traditional Renaissance formulas used for the gesso, to the oil painting medium. All was done on a sturdy Belgian-linen wrapped wood support, ensuring the longevity of the artwork. The results are worth the effort. It is an investment in quality. The artwork will delight the eye for centuries!
Medium Details
Oil on Panel
Frame
Gold Wooden frame , 4 inches wide, with delicate corner design molding
Signature
Ellis after Subleyras
Condition
Provenance
This painting has remained in my possession since it was completed.
About the artist
![](https://www.artisor.com/wp-content/uploads/2023/10/107827_4812798w850.jpg)
Barbara Ellis - United States
Barbara Ellis, ( OPA,NOAPS,WAOW ) is a classically-trained academic realist with decades of experience. Her artwork celebrates the beauty of the natural world in all...
See Artist's Page